Huang is a concert pianist who transcends traditional boundaries, seamlessly integrating her parallel practice as a visual artist into her musical interpretations. Her interdisciplinary perspective deeply informs her mission to diversify the musical canon—each performance becomes not just an auditory experience, but a multidimensional artistic statement. This unique approach is from Huang’s dual artistic development. From a young age, Huang immersed herself in both painting and music, developing a distinctive artistic language that merges abstract expressionism with figurative.

As a dedicated pianist, she champions underrepresented composers with a special focus on women in classical music, bringing to light the beauty and significance of their often-overlooked repertoire. As a visual artist, Huang’s artworks—charged with vibrant colors, bold textures, and surreal environments—are designed to evoke emotion and invite interpretation. Central to her style is the subversion of spatial logic: objects and figures float or stand in ambiguous, dreamlike settings, challenging perspective and infusing her compositions with symbolic tension. Equally striking is her use of impasto techniques, where thick layers of pigment, applied with palette knives or heavy brushstrokes, create tactile depth—a hallmark of her works. Delicate, expressive lines further animate these canvases, overlaying chromatic blocks with a graphic, almost cartographic quality that blurs the line between abstraction and narrative.

Huang’s passion for cross-disciplinary creativity has led to remarkable artistic partnerships. She performed Zhang Shuai’s contemporary work, blending Chinese elements with jazz at Manhattan School of Music’s International Student Concert. She delivered a thrilling interpretation of Grażyna Bacewicz’s Toccata at the 2025 Womxn Concert. Her collaboration with American composer Brian Field on ‘Three Passions For Our Tortured Planet’ used music to address environmental crises, demonstrating art’s power to engage with global issues. (Project: https://passionsforourtorturedplanet.org) This interdisciplinary approach reached new heights in her collaboration with British artist Gill Button for the Echoes of Blue exhibition at HanFeng Artspace. This multimedia fusion of music, painting, and personal expression showcased her unique ability to transcend artistic boundaries.

Huang has previously performed at venues including Guangzhou Opera House, Steinway Hall, Bechstein Hall, Agile Maritime Art Center, Changsha Concert Hall, Beijing Longmai Resort, Manhattan School of Music, City College of New York, South China Normal University, China Conservatory of Music, Hunan Normal University, Hunan University of Technology and many cities in the United States.​ Her artistry has garnered high praise from colleagues, described as “extremely musical,” “deeply expressive,” and “burst into tears as I listened to her music”. Her competition successes include top prizes at the China-US International Youth Music Competition and the Horowitz International Piano Competition.

In September 2025, Huang will take her artistic synthesis further with a groundbreaking concert merging a modern art exhibition with musical performance. The event will feature the international premiere of XuNa Liu’s Chinese Northeast-style work Dance Drama (舞戏) alongside other pieces by women composers. This innovative project epitomizes her dual commitment to amplifying underrepresented voices in music while redefining the concert experience through visual-musical dialogue.